Panditji is always working towards the enhancement of the art of Indian classical music and to give it a unique quality, with his refined voice and his way of moulding the ragas and the bandish to suit his chosen style. Endowed with the face of an intellectual, his temperament, like his music, is serene, unruffled. He wants to extended the same courtesy to all, big and small, and let the new artists know the theoretical and practical necessity of learning gayaki by listening attentively to the content and the feel of the ragas, the bandish, and the taranas in which he has done considerable research. According to him, the ragas have a mystical significance. He wants to set an example through his own art, and cultivate a genuine and widespread love for serious, contemplative music into the hearts of young music lovers all over the country.
                                      
Panditji is very open minded and readily teaches the technical aspects and nuances of Hindustani Classical Music to the youngsters and devotes himself to the spreading of this art and the philosophical aspects behind it to as many people as he can, through the meduim og his Gurukul, so that more and more people can share, enjoy and draw inspiration from this fabulous treasure of Hindustani Classical Music.

Walking at pace with technology, and to be able to reach out to his students outside Mumbai as well as the country, he also uses the medium of web cameras to reach his students. For all those who really want to learn from him and are unable to do so due to their geographic location and distance, he trains them through regular video conferencing sessions to make sure that all his students get equal guidance and attention from him, no matter where they are located on the globe.”